The PSID students' amazing creations presented at "JUXTAPOSE: Espasyo at Panahon" exhibit in Santolan Town Plaza
PSID students who participated at the "JUXTAPOSE: Espasyo at Panahon" exhibit in Santolan Town Plaza
BOOTH 1: The Bar
Beneath...in San Juan
MEMBERS: Andrew
Nieves, Merryl Ngo-Dee, Rosemarie Tapay, Jessica Pedreno
Tucked away in a quiet area
of San Juan is the Castro House. Built in 1933 by Sps. Melquiades &
Victoria Castro, the house hides a 15 sqm bomb shelter underneath its kitchen
floor. This unique feature inspired the group to transform it into a speakeasy.
Multi-localism, referring to an awareness of foreign cultures and imbibing them
locally, is used as a concept for our design—which was achieved by combining
the intimate allure of a speakeasy, the spartan look of a bomb shelter, and the
familiar elements of Filipino style.
From the ground level, a
funnel-like stairway leads to the bar with amber lights glowing from its
intricate panels made from capiz and wood chips, highlighting the liquor
display supported by metal bars. Smokey accent mirrors, complementing the
texture of polished cement, hide the latrine and TV. Across the bar, the wall is accentuated by
Spanish tiles as an ode to the shelter’s original flooring. The seating is a fusion of contemporary wire
bar stools and accent tables in solihiya weave pattern. Completing the ambience
is the ceiling donned in earth-colored sandbags. Carefully placed ambient
lighting cast a sense of secrecy, staying true to the historical attributes of
a speakeasy.
BOOTH 2: The Vigan Atelier
MEMBERS: Donna
Causapin, Lara Ong, Ana Roble, Nikka Merro
A well-known tourist spot
in Vigan, Calle Crisologo is home to heritage houses, some of which have been converted
into inns, museums, restaurants, and souvenir shops. Inspired by the
architectural elements of the Cabildo Ancestral House in Calle Crisologo and
the rich culture surrounding it, the group came up with an interior that seeks
to embody its distinctive Spanish colonial character. Because of its location,
the group decided to repurpose the space into an atelier, showcasing the works
of an outstanding Filipino couturier.
The distressed white
finish and the intricate callado patterns in the original structure were
retained to preserve its original character. Wide mirrors with brass borders,
heavy curtains, floral patterns, and capiz laminates pays homage to the muted
opulence during the Spanish era. On the other hand, pink padded panels, bespoke
furniture in white ducco finish, and pieces such as the Ghost Chair and
Madeleine chair inject a younger and more modern vibe, bringing the space to
the 21st century. Overall the design aims to celebrate Cabildo house’s place as
a constant witness to Vigan’s rich history and culture, standing the test of
time since the 18th century.
BOOTH 1: The Bar
Beneath...in San Juan
MEMBERS: Andrew
Nieves, Merryl Ngo-Dee, Rosemarie Tapay, Jessica Pedreno
Tucked away in a quiet area
of San Juan is the Castro House. Built in 1933 by Sps. Melquiades &
Victoria Castro, the house hides a 15 sqm bomb shelter underneath its kitchen
floor. This unique feature inspired the group to transform it into a speakeasy.
Multi-localism, referring to an awareness of foreign cultures and imbibing them
locally, is used as a concept for our design—which was achieved by combining
the intimate allure of a speakeasy, the spartan look of a bomb shelter, and the
familiar elements of Filipino style.
From the ground level, a
funnel-like stairway leads to the bar with amber lights glowing from its
intricate panels made from capiz and wood chips, highlighting the liquor
display supported by metal bars. Smokey accent mirrors, complementing the
texture of polished cement, hide the latrine and TV. Across the bar, the wall is accentuated by
Spanish tiles as an ode to the shelter’s original flooring. The seating is a fusion of contemporary wire
bar stools and accent tables in solihiya weave pattern. Completing the ambience
is the ceiling donned in earth-colored sandbags. Carefully placed ambient
lighting cast a sense of secrecy, staying true to the historical attributes of
a speakeasy.
BOOTH 2: The Vigan Atelier
MEMBERS: Donna
Causapin, Lara Ong, Ana Roble, Nikka Merro
A well-known tourist spot
in Vigan, Calle Crisologo is home to heritage houses, some of which have been converted
into inns, museums, restaurants, and souvenir shops. Inspired by the
architectural elements of the Cabildo Ancestral House in Calle Crisologo and
the rich culture surrounding it, the group came up with an interior that seeks
to embody its distinctive Spanish colonial character. Because of its location,
the group decided to repurpose the space into an atelier, showcasing the works
of an outstanding Filipino couturier.
The distressed white
finish and the intricate callado patterns in the original structure were
retained to preserve its original character. Wide mirrors with brass borders,
heavy curtains, floral patterns, and capiz laminates pays homage to the muted
opulence during the Spanish era. On the other hand, pink padded panels, bespoke
furniture in white ducco finish, and pieces such as the Ghost Chair and
Madeleine chair inject a younger and more modern vibe, bringing the space to
the 21st century. Overall the design aims to celebrate Cabildo house’s place as
a constant witness to Vigan’s rich history and culture, standing the test of
time since the 18th century.
BOOTH 3: Small Space, Big
Living
MEMBERS: Cess
Ang, Nina Magana, Mae Matias, Cariz Yam
Built in 1929, the Tañada
ancestral house was purchased by the late Sen. Lorenzo M. Tañada and his wife
in the early 1950s, where they raised their family of 9. The grounds were later
on split among their children, until such time that only the main house
remained on a much smaller plot of land.
A stroke of wild
imagination and a little creativity is all it takes to reimagine the Tañada
ancestral house into a modern residential space. Trends in residential living
have seen major changes throughout the years. Developers are building
vertically and compact living has become the norm in order to maximize square
footage. The same concept of building upwards was applied by taking advantage
of the bungalow’s gable roof to create a gorgeous loft apartment with a vaulted
ceiling. Spanish tiles and patterns give this home character, tempered by clean
lines and modern industrial finishes, keeping the look spacious and airy. The
sophisticated black-and-white interiors are given warmth by the wooden floors
and furniture pieces. Built-in storage is utilized to maintain a streamlined
look, turning the area into a space anyone would be proud to call home.
BOOTH 4: Modern Filipino
Haven
MEMBERS: Kim
Tigue, Kristine Escober, Pam Lachica, Mary Teng
Built in 1927, the Laurel
Ancestral House is one of the first houses built along F. Benitez St. in San
Juan. Four generations of Laurels have
lived within its walls and ownership still remains in the family. In 2010,
major renovation efforts were undertaken to ensure the structural integrity of
the house remained intact.
Given its location within
a residential neighborhood in San Juan, the group has chosen to adaptively
reuse Laurel’s Ancestral House as a Private Spa. The booth consists of three
areas—the massage area, lounge area and tub area. As an ode to the house’s
original architectural details, the group has decided to use Modern Filipino as
the spa’s design theme. As such, natural materials and ambient lighting were
used to bring forth a relaxing ambience. To contrast the warm earthy colors,
textured glass and metals are also incorporated into the design. Natural
elements such as pebble and plants complete the look.
The warmth of mood lighting
captures the sense of sight, the different textures engage our sense of touch
and the aromas captivate our sense of smell. All these design elements are
brought forth to create an environment that engages the senses and that
indulges its customers with a great private spa experience.
BOOTH
5: Bridal Boudoir
MEMBERS:
Janz
Go, Faye Cascante, Jaja Jagunap
Situated in a quiet
neighborhood in the city of San Juan is the Castro House. Built in 1933 by Sps.
Melquiades and Victoria Castro, the Castro House has been a family home since
its construction. Because foot traffic is relatively low in the area, the group
has rethought the space as an events hall.
Along the side of the
house is a spacious patio where an intimate gathering, such as a private
wedding, can take place. Inside, there is a roomy and spacious living area on
one side and a dining room on the other side. The second floor holds four
bedrooms, one of which the group has decided to highlight as a holding room for
a bride preparing for her big day.
The bridal boudoir,
despite having a slightly modern vibe, does not take away from the nostalgic feel
of its original Filipino art deco design, which the group has decided to
highlight. Such details can be found from the wooden floors to the furniture
pieces and accessories, from the moldings and panels on the walls to the
lighting fixtures. All these details strive to create a perfect balance between
the old and the new, proving that one can utilize structures of the past and
breathe new life into them again, making them relevant once more.
BOOTH
6: Marahuyo Spa & Tea House
MEMBERS:
Alissa
Villareal, Sam Javier, Chloe Nabayo, Kiana Umali
The Punzalan Ancestral
House was one of the homes of Atanasia Aniversario, popularly known during her
time as Kabesang Tana, who was the owner of one of the largest fortunes in
Taal. Since being built in the 1900s, the house has seen generations of the
family come and go. Owing to its strategic location, the house has since been
converted to a tourist inn. Taking the idea one step further, the group
proposes to add a spa and teahouse to the existing inn in order to maximize the
business potential of the site.
The spa will center on the
Filipino ancient art of healing or ‘hilot’ with the use of volcanic rock
massage, while the teahouse will highlight special herbal teas grown right in
the backyard of the house.
Taking inspiration from
the structural design and original finishes of the house, the group has decided
to add a modern tropical touch to the area. The original interiors and terra
cotta tile flooring is effortlessly melded with modern finishes like wallpaper
and contemporary furniture designs. The intent is to come forth with a design
that encapsulates the best of both worlds—deeply rooted in the traditions of
the past, but utilizing the innovations of the present to strike the perfect
balance of the old and the new.
BOOTH
7: La Moneda Bookshop & Cafe
MEMBERS:
Alexis
Casas, Tin Jaspio, Lauren Laudico, Hannah Tan
Intramuros today is a
hubbub of activity—from students plying their routes to nearby schools, to
vendors selling their wares, and to tourists exploring the cobblestoned
streets. Within this microcosm of Manila life, we envision the Aduana Building
revived as a bustling commercial building with a bookshop and café, attracting
tourists and locals alike.
La Moneda Bookshop and
Café takes inspiration from the history of the Aduana as the Mint House or Casa
de Moneda, where the first Philippine coins were made. To echo this pivotal
moment, the overall design of the space reflects the lustrous shine of the
coin—from the artwork showcased against the coin wall to the copper and
metallic touches in the fixtures and fabrics used.
The proposed design
retains its neoclassical façade, its interior structure featuring original
arches and exposed beams in concrete, and an iron gate inspired by the original
gates of the building. Padded walls and a cowhide rug add softness and depth to
the space while touches of wood and red stone flooring create a cozy ambiance.
Bespoke furniture and a coffee bar inspired by the ruins complete the
industrial glam look. In totality, the La Moneda Bookshop and Café glistens in
historical charm and breathes new life to its original home.
BOOTH
8: CC (Cafe+Creatives)
MEMBERS:
Liz
Catadman, Joyce Gozos, Geline Ignacio, Elvira Pareja
The former PSID Building
located at 2230 Pasong Tamo Street in Makati City is one of the iconic
buildings designed by Architect and Interior Designer Lor Calma. Built during
the 1960s, the building boasts of a contemporary modern design not common
during that era.
The space that the group
chose to adaptively reuse in this heritage building is the hallway and entrance
to the school. There are three (3)
distinct elements that can be found—the wooden wall inscribed with baybayin,
the adobe stone wall, and the steel gate made of wrought iron grills in all its
details. Focusing on the above-mentioned elements, the group has chosen to
reimagine the space as a cafe where creatives can meet and discuss ideas, or
simply to chill and absorb the vibe of the place. Dubbed Cafe+Creatives (CC),
the design revolves around the theme of contemporary modern Filipino Ingenuity
in its organic form, prioritizing human needs within a space. In correlation
with contemporary aesthetics and design, the group pays homage to the
architectural and design ingenuity of the Icon and Master Sir Lor Calma, as he
paved the way towards Philippine modernism in Architecture and Design.
BOOTH
9: Little Cafe Museum
MEMBERS:
Karl
Ascano, Jerome Tinio, Erika Uramoto
The Philippine School of
Interior Design can trace back its beginnings to 1967, when it first launched
its four-term basic course. Designed by
Architect Lor Calma, the Philippine School of Interior Design, then called the
Philippine Center of Interior Design, was housed in a levitating building built
in the modern international style. Located along the stretch of Pasong Tamo in
Makati, the building stands out among its peers with its distinctive features.
No detail was also spared inside with one wall featuring an adobe stone finish,
while another wooden wall is inscribed with baybayin. Furthermore, details such
as the paint-splattered floor and the minimalist brass staircase, coupled with
the vast windows looking outwards creates a bold statement that is ephemeral
yet timeless. Truly, the architecture and architectural interiors showcase the
best of 1950s modernism movement.
Given the location of the
site, as well as its history of being PSID’s first home, the group proposes to
convert the space into a museum-inspired cafe done in a mid-century modern
style. The concept is to create a balance, utilizing natural light and clean
lines with neutral tones to enhance the tranquil and living experience.
BOOTH
10: Cafe 308
MEMBERS:
Abi
Lazo
Designed in a neoclassical
and beaux-arts style, the Regina Building is one of the few buildings in
Escolta that has survived the horrors of World War II. The building boasts of
timeless design elements such as pedimented windows, balusters, bas-reliefs,
and sculptural groups. Due to its location in the heart of Binondo, the group
reimagined the space as a coffee bar that caters to men and women who are
always on-the-go yet who would need their caffeine boost for the day.
While the facade is
retained, the interiors are finished in an industrial-retro style brought forth
in the 21st century. Aged wood planks juxtaposed with concrete make up the
floor, while a contemporary wall mural of Escolta and a vertical plant wall
liven up the space. Grill works in weathered paint finish can also be found on
the walls for visual interest and draws the eyes upward to the coffered ceiling
design.
All of the furniture
pieces are also carefully chosen to ensure consistency in the design— from the
classic Chesterton sofa in leather to the studded antique chest to the bar with
salvaged wood cladding and concrete finish. Lighting has also been carefully
chosen to create an environment that is of the past and the present.
BOOTH
11: Kusina Aduana
MEMBERS:
Chelsea
Chua, Pau Alarilla, Kat Garcia, Janessa Nakata
“Kusina Aduana” provides
an experience to last a lifetime. It offers hands-on cooking classes in order
for one to develop a deep appreciation of the flavors, history and culture of
Filipino cuisine. Each participant will be able to prepare various dishes under
the guidance of experienced local chefs at one’s own workstation.
Discover and try the local
food scene by experiencing some of the country’s famous delicacies. Explore and
experience a local market where your chef will teach and encourage you to taste
along the way. Get an in-depth glimpse into Filipino cuisine through a cookery
course, which may vary based on the season.
Kusina Aduana offers a
modern rustic design with a touch of Filipino elements. The modern rustic style
brings warmth to spaces and adds timeless profiles to the contemporary designs.
It embraces nature-inspired textures while making use of simple and earthy
colors. Natural wood and stones are prominent in this kitchen design. Modern
kitchen cabinets and appliances are incorporated in the space for a
contemporary look alongside Filipino accessories such as rattan weave, palayok
are used.
BOOTH
12: Below Zero Gelateria
MEMBERS:
Elaine
Hiloma, Denise Tuazon, Gwency Sobrepena, Rein Dela Cruz
The Aduana building, which
was once the headquarters for the Customs Office in Intramuros, has been
reimagined and redesigned into a commercial complex. Within its premises is
Below Zero Gelateria, where students and tourists alike can lounge around and
beat the heat with the shop’s tasty selection.
The proposed Modern Classic
design brings together a timeless yet subtle air of sophistication reminiscent
of Imperial Manila with a hint of humility and simplicity. Polished concrete
was used for both the walls and the flooring while and bricks were used to
mimic the remains of the building. Neutral colors run throughout the design
including a touch of violet, a color often associated with the color of
royalty. Antique mirrors decorate the ceiling and for a part of the wall to
give the shop a vintage look while tufted furniture pieces with metal elements
provide it class and elegance. The shop’s products are then accentuated through
pendant lights positioned above the counter.
BOOTH
13: 13 Fit Street
MEMBERS:
Jess
Arellano, Cee Reganion, Bianca Francisco, Mariel Consolacion
Tanduay Fire Station is the
oldest operating fire station in Manila’s University Belt area. The group’s
vision to turn the station into an edgy modern gym hinges on the concept of
making going to the gym feel like a night out.
With this theme in mind,
the station was outfitted with strip lighting, black walls and acrylic
signages. Reaffirming the nightclub theme, a “dark and moody” atmosphere was
created and accentuated by the lights. A hooped ladder, commonly used for
industrial buildings, is used as a rack to hold weights and other gym
accessories. Recycled black rubber
salvaged from the old fire station serves as the cycling studio’s flooring,
while the rest of the area is outfitted with resilient wood planks to withstand
heavy foot traffic. Furthermore, the fireman’s pole was also retained and used
as an accessory for the pole dancing studio. Wood from the ceiling dating back
to 1897 was also salvaged and remade into a bench.
Overall, these elements
provide a cohesive and consistent language that is able to not only incorporate
the space’s history but also showcase it as a focal point of its design.
BOOTH
14: Dor-Moderno
MEMBERS:
Dudz
Domasig, Jr., Lei Santelices, Naomi Ng, Celina Zaraspe, Rizza Agoncillo
Located at the corner of
Madrid and San Fernando Streets in San Nicolas, Binondo, Manila, the San
Nicolas Fire Station was established in 1901 as one of the first fire stations
ever built in the country.
Due in part to its
location, the group envisioned the San Nicolas Fire Station as a modern and
contemporary dormitory with the interiors and facade inspired by the station’s
original design. The aesthetic blueprint of this mid-century modern dormitory
was inspired by the accent walls and metal works derived from its old form.
After being repainted and replaced with a more contemporary interior design,
certain elements in the original San Nicolas Fire Station such as the fireman’s
pole were left intact. The dormitory’s wooden interior also stayed true to its
authentic form. The wood panels of the TV wall were salvaged from the reclaimed
wood from the walls and floorings. The bunk beds mimicked the firemen’s
quarters and the use of sliding ladders was inspired by actual fire truck
ladders. With this one-of-a-kind design, this modern dormitory hopes to cater
to students in the nearby schools within San Nicolas, Manila, giving this
historical site a new lease on life.
BOOTH
15: Station No. 15
MEMBERS:
Sophia
Aguado, Alecsa Alcantara, Rani Lorenzana, Naomi Estiva
The Tanduay Fire Station
in Paco, Manila was first established by Hugh Bonner, a former chief of the New
York Fire Department. After the Japanese occupation, it houses a central fire
station and firemen’s training school. Currently, it is now surrounded by
universities and commercial buildings.
After visiting and
experiencing the current situation of the building, the designers proposed to
repurpose the storage room as a co-working bar.
The design embraces the
old fire station by retaining the bricks, archways, and the metal works in the
spiral staircases. To incorporate the steampunk style, pipes, gears, and
metallic tones are also used to achieve that edgy look. By re-constructing its
original structure and adding features of the steampunk genre, the designers
create a new atmosphere that is both nostalgic and fresh.
The fire station turned to
co-working bar was envisioned to cater to students and entrepreneurs looking
for a conducive space to get work done. Unlike your conventional working
spaces, Station no. 15 offers an environment that is more relaxed, creative,
and liberating. This gives the space a redefinition in the curves of Manila,
serving a new purpose to the modern Manileno.
BOOTH
16: Polo Estacion
MEMBERS:
Carleen
Choi-Kua, Chen Ferrer, Pauline Guiang, Kath Reston
Situated along a highway,
the PNR Polo Station served as the base for military operations of the first
Republic. Today, the group envisions it to be an Artisan market and local wine
shop–creating an avenue to showcase the nation’s local produce. Brick walls,
arched windows, and wall treatments were retained and balanced with
contemporary elements of the bronze mirror, steel, and illuminated acrylic. The
capiz and a careful selection of furniture and accessories help create the
Rustic Contemporary meets Industrial design.
Inspired by the
architectural features of Polo Station, the patterned capiz wall arching to the
ceiling invites customers to explore the space. The lighted pathway and
railway, illuminated arches, black granite, and bronze mirror project an
illusion of an infinite railway. The capiz and wood ceiling allows for a subtle
division of areas while a dedicated seating is provided for customers to dine
and sample the goods.
The various elements used
in the design unify the entire space, creating an interior that flows
harmoniously. Polo Estacion highlights a perfect blend of the old and the new
that evoke an unexpected yet one-of-a-kind charm that can’t be missed.
BOOTH
17: KM 102 Gentleman’s Barber Lounge
MEMBERS:
Justine
Dacudao, Christina Locsin, Dianne Gonzales, Jane Oracion
Built in 1892, the San
Fernando Train Station is part of the Ferrocarril de Manila-Dagupan, the first
railway system in the Philippines. Today, the San Fernando Train Station is
reimagined into a Gentleman’s Barber Lounge.
The Gentleman’s Barber
Lounge is a members-only establishment that offers today’s discerning gentleman
a place where they can retreat to refresh their minds and bodies, replenish
their energy, and network with their friends. There is a barber shop with
traditional grooming services, a lounge with comfortable seating, and a music
area that features a curated collection of vinyl records. Though inspired by
the original interior architecture of the railway station, the Lounge embraces
a contemporary aesthetic. The concept of mixing old and the new is translated
not just by the experience offered in the Lounge but also in its design. The
original brick walls are retained and juxtaposed with marble panels immersing
the entire space with a sense of darkness, intrigue, and understated luxury.
The dome of copper pipes as the accent ceiling above the lounge evokes a cave
atmosphere. A combination of hard and soft materials are utilized that are
commonly associated with masculinity.
I don't know about you, but have you made your best choices on this one, just like what I did? Okay, I would like to share with you my Top 5, no hurt feelings for the other participants, okay? But personally, I would like to congratulate everyone who participated and had given all their best for this fantastic exhibit!
Here are my Top 5:
5. Dor-Moderno
4. Station No. 15
3. Cafe 308
2. Polo Estacion
1. KM 102 gentleman's Barber Lounge
Hope you'll be able to come and tour the whole exhibit that's worth visiting for!
I don't know about you, but have you made your best choices on this one, just like what I did? Okay, I would like to share with you my Top 5, no hurt feelings for the other participants, okay? But personally, I would like to congratulate everyone who participated and had given all their best for this fantastic exhibit!
Here are my Top 5:
5. Dor-Moderno
4. Station No. 15
3. Cafe 308
2. Polo Estacion
1. KM 102 gentleman's Barber Lounge
Hope you'll be able to come and tour the whole exhibit that's worth visiting for!
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